installation – Caroline Siegers

VISUAL SIGNATURES

A project by Andrei Loginov and Caroline Siegers

Lisa Batiashvili playing Andante from Solo Sonata No 2 by Johann Sebastian Bach

Lisa Batiashvili playing Miniature No 9 (Dolcissimo) by Giya Kanceli

Lisa Batiashvili playing „Blues“ from Sonata No 2 by Maurice Ravel

Lisa Batiashvili playing excerpt from Violin Concerto by Felix Mendelssohn

Lisa Batiashvili playing excerpt from Violin Concerto by Johannes Brahms

Lisa Batiashvili playing excerpt from Violin Concerto by Karol Szymanowski

Sara Ferrández playing excerpt from Capriccio op. 55 by Henri Vieuxtemps (bar28)

Sara Ferrández playing excerpt from Capriccio op. 55 by Henri Vieuxtemps (ending)

Sara Ferrández playing excerpt from Prelude to Suite No 1 by Johann Sebastian Bach

Sara Ferrández playing excerpt from Sinfonia Concertante (II. Andante) by Wolfgang Amadeus Mozart

Sara Ferrández playing excerpt from Suite No1 op. 72 III. Serenata (bar 1-5)

Sara Ferrández playing excerpt from Suite No1 op. 72 III. Serenata (bar 15)

A SENSE OF TIME

Lab concert, feat. a song by Mikis Theodorakis, ADAF Greece online 2022

In our laboratory, Stock and I are using our newly built MIDI-controllers pendulum and crank for the first time. The piece is a vivisection of Mikis Theodorakis‘ song „Tin porta anigo to vradi“, from Ta Lyrica, lyrics by Tassos Livaditis.

Since the basic idea of cranking a MIDI-Sequence is derived from the functionality of a music box, the original music box needs its place in the lab as well. And since the „triplet“, an instrument initially used in a theatre show in 2015, is still working, this punchcard dj instrument appears likewise.

Thank you Philipp for your lovely camera work.

UNUSUAL THOUGHTS (2017)

Unusual thoughts features the side effects of valium, a fascinating piece of everyday text.

Voice: Anna Holmes
Beats: Toby Deschamps
Composition/arrangement/montage: Caroline Siegers

CLOSEUP WEBERN (2018)

INTRINSIC LOOPS #2, Barenboim-Said-Akademie uses this Webern 12 tone row

as a playground for active and passive improvisation.

Barenboim-Said-Akademie, 20.Mai 2018, ©Philipp von Recklinghausen

Keine Fotobeschreibung verfügbar. — Closeup Webern

TRIPLETTE (2015)

The triplet was designed as a motor driven punchcard DJ set in collaboration with Milan Siegers. The purpose is to play several punchcards at the same time, loop them and have hands free for other instruments. It premiered at the occasion of Büchner’s Leonce und Lena, Theater Koblenz, directed by Matthias Schönfeldt.